A Change of Plans and When Stars Die Cover Reveal

A Change of Plans and When Stars Die Cover Reveal

A couple of nights ago I had an interesting dream. While I can’t recall the details, I can recall the main point of that dream, and was it focused on the sequel to When Stars Die. However, it was no longer a sequel, but an entirely different book able to mostly stand on its own but still within the Stars universe. It turned from a trilogy into a chronicle(s). That was enough to change my mind about leaving WSD as a standalone, and it was enough to spur me to return to this world I had been creating since I was a fourteen-year-old in middle school.

I’ve decided that I’m going to re-write When Stars Die’s sequel entirely. It will still be called The Stars Are Infinite, but now it will no longer be bound to follow a continuity in which I am obligated to complete a series and come up with a tidy ending because now there will be no tidy ending. The same characters will still exist, but now their motivations are going to change entirely.

I lost my desire to complete the trilogy not only because of burnout but because of how predictable the ending was for me. I just wasn’t excited about writing it because there was no mystery to how things would wrap up. It was a save-the-world series, and I was bored to death by it. Now I’m thinking to myself, ‘What if the world can’t be saved? What if instead each novel focuses on its own thing, and the overarching theme is about people trying to survive in the world they have before them, trying to make do with what they’ve been given?’ Maybe they’ll try to save it, but ultimately, I don’t want them to. The whole idea of the Stars universe is that there is this oppressive god controlling everything, and while killing a god may work just fine in a Japanese RPG, I’m not interested in killing a god anymore. I’m interested in writing about characters who try but fail, about finding hope in seemingly hopeless situations. I want to create a series about a fallen world that doesn’t seem worth saving at times, but where life is still very much worth living.

In any case, that excitement that I thought I no longer had has returned in full force, and I have already started outlining this revamped version of TSAI. So expect to see more books from this universe in the future.

In the meantime, here is the brand new cover for When Stars Die, designed by Lesia T from Fiverr:

How I Received My hEDS Diagnosis

How I Received My hEDS Diagnosis

This blog has always been a bit eclectic because it’s always been a platform to unleash my thoughts on things that mean a lot to me. Near the end of last year, I finally received a diagnosis for EDS, which is Ehlers Danlos Syndrome, a connective tissue disorder. This basically means ALL of the connective tissue in my body is stretched rubber bands that won’t snap back. It replaces the fibromyalgia diagnosis I received a little over a decade ago.

Am I bitter it took this long for me to receive a proper label? Not at all. I didn’t even know EDS was a thing then. When I received my fibromyalgia diagnosis, it was a relief because it was an explanation for the pain I had been feeling. Explanations are always nice because when I really looked into the condition, I realized there wasn’t anything physically wrong with me. There was just something going on in my brain that was causing it to go into overdrive, leading to pain and fatigue. I held onto this label for about a decade until I started physical therapy school and met a classmate who has the classical form of EDS. Mine is the hypermobile form. The only difference is that the classical form has a gene associated with it, and the hypermobile form does not (though there is research now alleging the gene for hEDS has been found).

She was already intrigued by me because I was blatantly hypermobile in class when we were working on one another. Not to mention I have this chronic pain that seems to radiate from my cervical and thoracic spine. I also have TMD from dislocating my jaw just from yawning as a child. I’ve also dislocated both knees, one traumatic and one non-traumatic. My left ankle is also stretchier than it should be, though ballet has given it some solid stability. I had a hip impingement as a result of a hypermobile hip. I sprained my SI joint several years ago that still affects me today. I have various tendionopathies that are usually dormant. I had to have occupational therapy for my hands because there were various things going on with them (and OT worked fantastically!). And I have trigger points all over that when active cause me some degree of discomfort. OTC pain medication also does not work for me, and the Diclofenac I take barely works, and I usually have to take it when I feel a flare coming on.

So when her and I connected, she posed the possibility that I could have EDS.

It took me about two years of grappling with whether or not I should seek a diagnosis. There isn’t any treatment for EDS. Not really. The best thing I can do for my condition is to remain physically active, but in the right dosage since I do receive overuse injuries quite easily. Going into the field of physical therapy has also been a large advantage for me since I fully rehabbed my hip last year and was finally, finally able to engage in lower body exercises without pain after struggling with that pain for years.

But I realized I needed an official label because individuals with EDS cannot take certain medications and have to be approached differently. For example, I hate the dentist. Most people do, so I’m not unique in that. But I hate them because my gums, no matter what, will easily bleed, and I was tired of being accused of not flossing. Dental assistants always treated my gums like a violin. I haven’t been to the dentist in years for this reason and am grateful I have genetically strong teeth that come from my dad. But now that I have an EDS diagnosis, perhaps they’ll be more gentle with my gums. Steroids also aren’t a good idea for us because our risk for tendon ruptures is much higher than the general population. It may also affect me in other ways in the future that I’m not aware of yet, so having this diagnostic label keeps me safe if I have to see a doctor in the future for a condition that could be related to it (like POTS).

So I told my primary, who had no problem referring me to a rheumatologist. Usually a geneticist makes the diagnosis, but the rheumatologist she referred me to makes diagnoses for individuals with connective tissue disorders. There are three criteria, and you have to meet two of the three. Within those criteria are various boxes you have to check off. You can check out the form below.

Within criteria one, this is what I meet: my Beighton score is 9/9.

Within criteria two, this is what I meet: unusually soft or velvety skin, mild skin hyper extensibility, bilateral pizoegenic papule of the heel, atrophic scarring of at least two sites, dental crowding with a high or narrow palate, and walker sign and thumb sign on both sides. You need about five of these, and I have six.

As far as I know, I don’t meet feature B, but I do meet feature C because of the chronic widespread musculoskeletal pain and pain in two or more limbs.

You can see there are some other criteria that require more specialized, further testing, but because I meet all the current criteria, I have the diagnosis of hEDS right now. I am currently waiting for a referral to a geneticist, which from my understanding can take quite a while. However, the geneticist is only going to confirm the hEDS diagnosis because it could be classical for all we know since the only difference is the presence of that gene. The rheumatologist also isn’t concerned that I could have any other type since there are 13 types of EDS. But you never know.

It’s ultimately a diagnosis that makes more sense than fibromyalgia. It explains why I have knots everywhere and why I get them so easily and why I injure so easily and why at the age of 33 my joints can extend into space. My body is simply trying to stabilize my joints, so it seizes up in those areas and just remains, especially my jaw.

You do have to be your own advocate when it comes to this condition. No one else will identify it for you, especially because it is another one of those invisible illnesses.

An Update and News for WHEN STARS DIE

An Update and News for WHEN STARS DIE

This will be the old cover.

WHEN STARS DIE has been in complete limbo ever since my last publisher folded. For all of these years, I had no idea what I was going to do with it. I kept thinking about finding another small press for it. However, I struggled with this because I felt obligated to finish the final book in the trilogy.

In truth, I have not felt at all inspired to finish the trilogy. I wrote an entire outline, wrote the draft, but the passion died after the second book because I was so burnt out on the trilogy with the amount of revisions that were required for WSD’s sequel. I honestly thought that if I allowed myself to take a break during PT school that the inspiration, the desire would eventually come, but it never did. I even thought for a fearful moment I had lost my interest in writing. But I haven’t, as I’ve outlined a YA contemporary and have started writing it. And when I typically start a novel, there’s a 99% chance I’m going to finish the draft.

I just lost my passion for the trilogy and for writing future series in general. It is a lot of work, and I would rather stick with standalones from here on out.

So what am I ultimately going to do with WHEN STARS DIE?

I’m going to self-publish it, and it is going to be a standalone. I want complete control of this, and I don’t want a publisher to make me feel obligated to finish it out. The novel has always been able to function as one. I know this may disappoint some people who were hoping for a complete trilogy, but I cannot force myself to finish this trilogy out. If I do, the third book will be absolutely terrible, and I’d rather not have that.

Perhaps if there is enough interest I will put its sequel on Wattpad.

Now what is the plan from here?

WSD is going to have a Halloween release date! Some time in April, I will do a cover reveal. I already have its brand-new cover, and I’m excited to show that.

Why I Quit My University’s Art Program and Eventually Became Self-Taught

Why I Quit My University’s Art Program and Eventually Became Self-Taught

When I started college, I had a heavy interest in photography thanks to a photography course I took my senior year of high school. I already had a semi-pro DSLR camera and was learning everything I could. I wanted a career in publishing at the time and wanted to do something with photography, so I chose to double major. But little did I know at the time what a mistake that would be.

I soon came to find out I would have to take a series of other art courses before even being granted the privilege of taking photography I, art courses I discovered I cared little for. Drawing I was very discouraging because everyone was not only so much better than I was, but I just didn’t learn anything. Our courses were 3 hours long, 2x a week, and we were sat in front of a subject and told to just draw it. We weren’t actually taught anything–nothing of techniques or shading or lighting or any of that. It was very frustrating, and I know I did not improve a bit by the end. The thought of taking Drawing II was daunting because that was when we would start drawing models, and I had already decided I really hated drawing by then.

After Drawing I, I took 2D and 3D design. I absolutely despised 3D design. I had no desire to create three-dimensional works. The grading made no sense either, as there was never a rubric for any of our projects, and it was obscenely subjective. I remember one of my classmates, whose projects were outstanding, always received the same grades I did: a B. She was also a professional photographer and received a B on a photography assignment we had to do. The professor was also frequently, obscenely late with no explanation as to why. Needless to say, I learning nothing in this course either. It’s not that I wasn’t choosing to learn anything. How can you learn when you’re being told to go off on your own, there’s no help being given, and you’re essentially trying to teach yourself?

As for my 2D design course, I hated it as well, but it was the course that piqued my interest in painting. We started in black-and-white first. My very first assignment in this course was deemed “sloppy,” even though I was trying to channel some artist who did patterns in a very loose style. I started to realize in this course that college art courses expect you to have some sort of foundation that I was really lacking. I did have an interest in drawing throughout elementary and middle school, but something happened, and I fell out of love with it. What happened? I don’t really know. It just no longer interested me. Thus, I decided after these courses, I was done with the program. I didn’t need a degree to do photography, after all.

The biggest thing I hated about my 2D design course was being put on the spot every class, having to put our work up in front of our classmates and being critiqued by them and the instructor. All of our assignments were done outside of class, so it was frustrating that I was feeling, yet again, like I wasn’t learning anything. Yet, I do have to give credit to this course for being the reason I got into painting. By the time we progressed to color, with our instructor handing us acrylic paints, I was very much fed up. I went home with a rather rebellious idea for my assignment. I think the colors I chose were blue and green. I painted some gradient background, soaked my brush in acrylic paint, created three textured blotches on the paper (whatever paper it was we were using), and let each blot create a drop that ran down the page. I wasn’t trying to be creative or artistic. I was simply frustrated and didn’t even care for what I was doing. But what was wild was my instructor’s reaction to this piece.

When it was my turn to be critiqued, I stood in front of the class with an apathetic attitude, pinned my work up for critique, and was expecting to be torn apart. I expected it to be called “sloppy,” in the same way my very first piece was. Instead the instructor told me exactly this: “That’s what you were missing! All you needed was color.” I didn’t fully understand what she meant by this then, but I do now. Color is my gift, even if technique was not.

I was dumbfounded. The one assignment I didn’t even try, and it was my best. A classmate then later told me she basically implied everything I did sucked until then; however, at that point it didn’t matter. She had already lit that fire, and I allowed myself to have fun with the remaining assignments. I still chose not to continue with the art program, as there were too many classes I would have to take that I had zero interest in, even if painting would have been an interest itself.

I didn’t suddenly stop painting after quitting the program. In fact, I painted for a year after, using it to help manage my mania when I had not yet stabilized on medications. Of course, I wasn’t actively trying to learn how to paint. Rather, I just tossed paint on canvas, hoping something would work. And then, for whatever reason, I tossed the art supplies and didn’t pick up painting until I started physical therapy school years later, needing an outlet that could be done at home.

Now I am an entirely self-taught artist, having relied on Youtube videos and how-to books and modern artists I’ve fallen in love with. I also haunt Facebook groups to develop my art critique skills because if I can figure out how to make someone else’s painting better, then I can figure out how to better my own.

I didn’t merely want to mess around with the abstract. So three years later, here I am excited about opening my own online store this year.

The Paintings That Made Me Discover my Style

The Paintings That Made Me Discover my Style

to showcase my art style
Acrylic on 12×9 canvas by Amber Forbes

Prior to the completion of these paintings, I thought of myself as more of a style hopper, interested in painting just about everything. However, while those pieces were fun (and you will see a few in my future shop), they didn’t exactly inspire me to continue with that style. However, after painting the pieces above, I’ve found a style I find inspiring, fun, and something that I plan to repeatedly revisit in the future. In fact, I have a few other, smaller pieces I’ve used the above style with, one of those already on this blog, along with three landscapes utilizing this style to some degree (and two planned mini landscapes to come).

The impressionists were my biggest inspiration in helping me stumble across this particular style along with a book by Patti Mollica titled How to Paint fast, loose, bold: Simple Techniques for Expressive Painting.

This particular style has taught me even more how to exploit the fast-drying properties of acrylic by creating blended looks with scumbling and layering the same color tinted with white or darkened with a color that makes sense.

I enjoy painting this way because it really brings out my creativity since I am not just painting what I see in front of me but am painting beyond the still life. Most of the elements in these pieces were painted entirely from my imagination, save for the composition of the flowers because I did use fake flowers in a generic, plastic vase to give me a head start.

Keep an eye out for these pieces in the future. They are 12×9, acrylic, and will cost $145 each.

2023: Year in Review

2023: Year in Review

‘These Endless Poppies’, acrylic by Amber Forbes

2023 has been a year of many victories and successes. 2022 was too stressful for me to write about, what with some health issues I started having after developing COVID in January of that year and me wondering if I was even going to be able to do my internship because of how bad it had gotten. But I have conquered and enjoyed 2023, so here’s to 2024!

  1. Pinning ceremony. This is a huge milestone in any physical therapy program that signifies us as true student physical therapists going out on our first internships.
  2. A fantastic first internship that cemented my desire to work in outpatient orthopedics.
  3. Overcoming eosinophilic esophagitis. I developed EoE as a result of a dairy allergy after having COVID. The flares were horrible, defined by a horrible cough that made me sound like I had croup, and made me feel like I was going to have an anaphylactic attack, so I cut out all dairy and was very fastidious about what I consumed. These flares defined much of my 2022. However, after finding out some naan bread I’ve been consuming had dairy in it the whole time, I decided to test baked goods. Now I’ve ultimately discovered I am only allergic to milk, so as long as the product doesn’t contain pure milk (such as ice cream and butter, for example), I can have it. This means my diet is no longer restrictive and I don’t have to miss much. After all, I love oat milk more than cow’s milk and there are some wonderful ice cream substitutes.
  4. Successfully self-rehabbing my hip. I had a hip impingement for years that a mountain biking accident fixed, but I still had a mess of problems that I didn’t think I was ever going to be able to fix. I couldn’t properly workout my lower body without pain, and now all that is changed because I used what I learned during my first internship and went hardcore with my rehab. While I can’t have a full, normal leg day because of my condition, I am getting stronger.
  5. Diagnosed with hypermobile Ehler’s Danlos Syndrome. I was diagnosed with fibromyalgia many years ago but as of this year felt the label no longer explained why I get easily injured and that my body holds on to injuries that should have healed. And of course I’m hyper mobile, which is kind of to my detriment. But hEDS explains a lot more than fibromyalgia does, and it’s been my driving force behind why I must exercise.
  6. Recently finished outlining a novel whose idea has been developing since starting physical therapy school.
  7. Husband finally found a well-paying job that means he is home much more often (he is a trucker).
  8. Left a toxic work environment.
  9. Removed toxic people from my life.
  10. Discovered my primary art style.
  11. Feeling ready to open an online art store in 2024.
  12. Finished 10 terms of PT school with only 2 left.
  13. Discovered my passion in physical therapy in the form of pain neuroscience education.
  14. Never having to do a practical retake. In many physical therapy programs, you must make at least an 80 in order to pass a practical. Any less is considered failure, and at my program, you only get one more chance after the first fail–or else you must retake the entire course. I passed my last practical of my didactic courses and met a goal I made for myself at the start of school: to never do a retake.

2024 promises to bring great things.

My Top 5 Art Products of 2023

My Top 5 Art Products of 2023

I’ve been painting seriously, non-stop for three years and have tried out numerous products over time, many that I inevitably gave away because I either didn’t like them or fast outgrew them (such as student grade paints, which still have their use in my palette). I’ve ultimately learned, however, that I really didn’t need much of these products–and to stop being drawn in by shiny-new-art-supply syndrome–and now I’m whittling down my collection to things I actually use. This is a list of products I’ve used in 2023 that have really allowed me to delve deeper more creatively and have made my artistic life much easier.

5. Arches Watercolor Paper: Before making the switch to this professional brand, I was using Artist’s Loft and Baohong Watercolor Paper. Artist’s Loft is great to learn with but can only hold a couple of layers. It also buckles really easily and needs to be taped down. The paper also tears easily. Baohong is cotton, which is great for doing more layers; however, using any lifting techniques or anything of that sort caused the paper to tear. Enter Arches, which is absolutely expensive but so worth the cost. There is minimal buckling, so you don’t even have to tape it down if you don’t want to. You can also purchase their blocks. Lifting doesn’t cause the paper to tear–or even erasing a mistake. And it holds what seems like an infinite number of layers. There is a reason this is usually a watercolorist’s go-to brand. If you’re struggling with watercolor and you’re sure it’s the paper, you need to give it a try. Blick’s occasionally has sales on it.

4. Faber-Castell Graphite Aquarelle: If you’re like me, pencil lines drive you insane. My pencil lines are just a mere sketch and not exactly meant to be part of the final piece. Plus, it’s annoying having to use a kneaded eraser to lighten pencil lines, only for those lines to still show up in the final piece. These graphite watercolor pencils eliminate that because they dissolve in water–and no, they don’t muddy your watercolors. Even if the line is still showing, you can always wet your brush and gently scrub it, which will eventually dissolve it. I know lines can have their aesthetic appeal, but I primarily paint landscapes and don’t find them desirable in my pieces at all.

3. Chroma Atelier Interactive Unlocking Formula: I honestly can’t believe it took me so long to discover this. I love acrylic paints and far prefer these above oils, but they do have their downsides on occasion. I had an Atelier set sitting on my shelf for a while that came with a few mediums that I recently decided to use, and I didn’t give much thought to this medium until I actually tried it. All it took was one spritz (I poured mine in a tiny bottle the set came with) and the paint can be re-wetted and re-worked. There was some blending I wanted to do on a portrait, and this worked perfectly to allow me to do that without needing to paint over the area or scumble or glaze to achieve this effect. I also love using this to clean up undesirable spots of paint. I have clumsy hands, and I’m not really fond of color matching. However, a single spritz of this, and you can lift the paint without completely lifting the layer beneath. All it takes is a soft touch.

2. Beam Paints: I love this company of unique, handmade paints. It is a company owned by those of M’Chigeeng First Nation on Manitoulin Island. I own a couple of their pallets and many of their paint stones, which come with A LOT of paint. I’ve used up half-pans rather easily, but I’ve barely made a dent in any of the paints I’ve used from them. Even better? These are quality, light-fast paints with beautiful, bright pigments. Their entire company is also environmentally friendly, and their packaging is aesthetic in itself. One paint stone might be 10 dollars, but, again, there is A LOT of product in this one paint stone. Check out their website. They offer so much.

  1. Golden Open Acrylic Paint: This is by far the best product I have tried of 2023. I have tried oil painting, but I have no patience for the drying time and the thinners are often toxic. I’ve tried water mixable oil paints, but I was not impressed with their quality. And they still took too long to dry. I understand there are oil mediums that speed up the drying process, but it doesn’t even touch the drying process of acrylic paints. Golden Open paints are that perfect balance of staying wet long enough to blend while also drying quick enough to layer or just in general to consider the entire piece finished. I use these paints when I want to use a more wet-into-wet style, and I am absolutely in love with these. You can even make the drying time a lot longer with Open mediums; however, I have not found this necessary considering I work on sections at a time and haven’t painted a piece large enough to require longer drying times.