All right, so I’m going to stick with blogging just once a week. Twice a week is arguably a bit much considering that sometimes when I get home from work, I want to do mindless activities–namely, watching television. I might work a five hour shift that day, but sometimes I’ll start early to either work on client programs, train clients, or even shadow a class for a fitness instructor who may want me to sub for them in the future. Since Thursdays are my off days, I’ll blog on this day.
Since I write for teens, I thought it totally relevant to talk about one of my favorite television shows, Degrassi, a Canadian drama for teens (though not overdramatic like soap operas).
I began watching this show when it was Degrassi: The Next Generation. I watched it through middle school, high school, and a little bit through college before taking a long break from it, mostly because I began to float away from cable television and watch more television online. I only recently picked it back up because I saw that Next Class was on Netflix, and I was curious to see how this little gem had progressed.
I was not disappointed. I caught up on all four seasons and can’t wait for season five.
First, let me start off by talking about what’s so amazing about this series. If you saw 13 Reasons Why on Netflix, you’re likely aware of the controversy surrounding it. I enjoyed this miniseries and didn’t think it glorified suicide at all (I think I’ll write a separate post on this), but I do have to admit that it was an intense drama that seemed like it was trying to capture more of an adult audience.
Degrassi is entirely for teens with issues that are relevant for its time. There is no dramatizing issues for entertainment value. There is simply an exploration of issues to help teens understand themselves and feel less alone.
For example, Ellie Nash, one of the characters in this series, introduced the issue of self-injury, a coping mechanism she sought to use based on her tumultuous home life. While self-injury most certainly wasn’t and isn’t a new thing, addressing it as a problem was relevant during my time, as Next Generation is my generation’s Degrassi while Next Class is today’s teens’ Degrassi.
I can remember being a fourteen-year-old going through issues of her own and watching that scene and how sick I felt. Now as an adult (fully 27, far removed from being a teen) I don’t look at that same scene with as much horror because of my more objective perspective.
Don’t get me wrong. Self-injury is no minor matter, but it’s not this big, scary thing that it used to be now that we better understand its use as a coping mechanism. And Next Class masterfully handles this new perspective on self-injury when Zoe Rivas begins harming herself by digging her nails into her skin (Ellie cut).
Grace Cardinal discovers these moon-shaped marks on Zoe’s thigh and doesn’t immediately freak out and run to the counselor–as is what happened with Ellie when Paige found her. She addresses the problem right then and there since self-injury is not the hidden issue it used to be when I was a teen. There was no shame surrounding it, and as a result, we did not see any further incidences of self-harm among Zoe. Now this didn’t happen with Ellie, but there was more embarrassment surrounding her discovery than there was for Zoe.
Next Class addresses a lot of relevant topics. From the Syrian refugee crisis to dealing with post-abortion guilt (or lack thereof) to racism and micro-agressions, to the concept of stereotype threat, and how it’s not cool to be racist or homophobic anymore, it’s a show I can’t recommend enough for teens and parents of teens and writers of teen fiction.
I also love that the actors and actresses are fairly close in age to the characters they portray and not wildly a decade older than their fourteen-year-old character. Perhaps Canadian television is just different form American television in this aspect.
The beauty of Degrassi lies in its timelessness. There was totally a reunion episode in Next Class that brought back some of the character’s of my generation’s Degrassi. It was a joy to see some of these characters and how they progressed–and an even greater joy to reflect on these characters as as an adult.
I certainly watch Degrassi with a different set of lenses, ones that are more objective and filled with the knowledge that these characters’ struggles can be overcome. I find myself rooting for them and also wanting to tell them that their struggles are not endless. I especially related strongly to Maya Matlin, whose depression, suicidal ideation, and ultimately suicide attempt made me cheer for her the most.
As a teen, I would have agreed with her that the depression is unending. Even in my early twenties I would have greed with her! As an older adult with more perspective, I rejoice in her recovery with the knowledge that depression isn’t this horrible monster but another illness that needs treatment like any other one.
I could talk about this show forever, but I think as a writer, it keeps me on top of issues that are important for teens. Young adult fiction itself is a great vehicle for this, but I also have to remind myself that it’s largely written by adults. Degrassi, on the other hand, is most likely influenced by its young actors and actresses; thus, there is no purely adult perspective dominating the direction of this show.
Overall, this show, I think, is a staple in the canon of relevant teen shows. I honestly don’t think teens have enough quality options like that that don’t portray them as attitude-filled party animals.