The Madness of Writer’s Block

The Madness of Writer’s Block

Did someone call me for a case of writer's block?
Did someone call me for a case of writer’s block?

I’m going to let you in on a little secret: I’ve never had writer’s block. I’ve never suffered from this malady because when a story idea clicks in my mind, I don’t run to my Surface and immediately start tapping it out. I let it stew in my brain and let the idea actually take me on an adventure where the plot points are endless. If it stays in my mind for a few days to a week and I can’t let it go, then I know it is a story that I want to write.

Everyone is different and needs to beat writer’s block his/her own way. I’m not going to tell you to step away from the computer and do yoga or deep-breathing exercises, because anyone who thinks he/she has the cure is going to tell you that. I’m only relaying how I have been able to prevent writer’s block: This is what this post is about, preventative measures. Like good healthcare should be doing, I’m going to give you the tools to prevent it.

In any case, if you’re prone to writer’s block, these tips may be able to help you.

After I have let the idea stew, I go right into creating an outline because all the points will be on paper and I have no excuse for not knowing what to write about it. If you relax and let the character take you on a journey, you shouldn’t find yourself too stuck on the outline. But if you are, remember an outline is an outline, and you can always take another day to let the idea stew. I took a week to create the outline.

I do not want to hear that outlines will limit your scope and you’ll find yourself bored. No you won’t. This is the argument a lot of writers use for rough drafts, and I especially love this, “But character development will be shoddy!” An outline is not set in stone. For Stolentime, I just go rid of three chapters out of my outline because they are unnecessary. I also find my MC is adding things to make the chapters more exciting that were not in the outline. If you feel like an outline is going to kill your character development, then you yourself still need to develop as a writer because then you’re using the outline as a crutch, not a tool.

I don’t take crap.

Once you have that outline written, sit your butt down and refer to that outline to remind you of what direction you’d like to take your story. It is merely a reference tool that will help you finish that rough draft without much fuss. If you feel yourself becoming bored because of the outline, remember that your MC is in charge of where the story goes, and that if you let the outline lead you, you aren’t properly utilizing the outline as it is supposed to be used. When I start writing a chapter, I glance at the outline to remind me what I want this chapter to be about–assuming that it makes sense with the previous chapter. If not, I’m allowed to make adjustments. People really need to stop treating the outline like evidence that needn’t be tampered with.

If you’re the type who has to write chapters out of order, use the outline out of order. I simply think the outline is the best tool for preventing writer’s block because your story is all there and you have no excuse for saying you can’t think of what to write. At the rough draft stage, you shouldn’t be worrying about how you’d like your sentences to sound. You should be writing.

Inner Turmoil Equals My Best Ideas

Inner Turmoil Equals My Best Ideas

This is the title of the novel I will be getting back to next week.
This is the title of the novel I will be getting back to next week.

My novel When Stars Die came out of a bleak period in my life when I was fourteen and really struggling to manage my anxiety because the ridiculous pressures of school (and they are still ridiculous to my 22-year-old mind) made me break. I didn’t feel like I was ever going to get better and I wondered if I would have to struggle with anxiety forever. Granted, When Stars Die was a lot different than it is now, but the story and the character came out of the turmoil in my mind, and it has stuck with me since because the story came from my emotions, my feelings. I love that such a strong story came from all that, but I hate it at the same time because every book I wrote since then just paled into comparison with WSD. I felt like I couldn’t come up with anything strong without outside advice.

In fact, the direction the sequel went wouldn’t have been possible without the help of Georgia McBride. And her criticism helped me shape the prequel, When Stars Die.

In any case, Stolentime emerged from my bipolar depression. The story involves a suicidal teen who tries to drown himself, only to be saved by an eccentric man. This eccentric man is a puppeteer and doll maker and decides it’s in Gene’s best interest to bring him along a tour that teaches Gene to live even in the darkness. I know this story can rival my Stars trilogy, but the problem is that it took more inner turmoil for me to think of such a powerful idea.

Then I read a post today that mentioned that aspiring authors who happen to be kids don’t care about their ideas trying to rival one another. They just write with abandon. I’m hoping that when the Stars trilogy is through and Stolentime is done (it might be part of a series though) that it doesn’t take a bad time for me to come up with more stellar ideas that I am passionate writing about. I just need to drown in my emotions and take their reigns and ride.

Stars, where do your best story ideas come from?