Behaviors and Clauses to Look Out for in Publishing Presses

Behaviors and Clauses to Look Out for in Publishing Presses

Yes, this is Banana Moon Press’s lovely logo. I actually took the time to make one in the hopes of saving all writers. I will be Writerwoman, woman of writing utensils.

My PA, Mariah Wilson, has been sending me various links to publishers I could submit All Shattered Ones to while AEC has its hands full with The Stars Trilogy. I have not looked at these links, but I have found publishers outside of the ones she recommended to me. Now while AbsoluteWrite isn’t the most welcoming of places for writers, it is your go-to guide for any start-up publishing houses, publishing houses that have been around for a few years, literary agents writers have not heard of, and contracts that writers aren’t sure of signing. There is also Preditors and Editors. There are probably millions of blog posts written about what I’m going to talk about, but, time and time again, newbie writers fall prey to houses that shortchange their books, never send out royalties, never answer e-mails of their clients, and charge fees to break a contract. The contract seems all nice and pretty at first, but then the publisher will do things not in the contract, and if you try to get out of said contract, fees are thrown at you, and the owner will threaten to sue you. So, in order to be as sensitive as possible about this topic, I am going to make up a publishing house for you, and I will be the owner of it. Let’s call it Banana Moon Press, because I am a ridiculous human being.

Let’s first start with behaviors to look out for in the staff of this fantastic publishing company that can do no wrong. I have just opened up Banana Moon Press to submissions. I have put it on Duotrope, Poets and Writers, and Publisher’s Weekly. I am the publisher and editor, Mariah is another editor, Sally is the PR, and Julie is the social media PR. We all have backgrounds in publishing of some sort. Our website looks great, and pretend that the logo actually looks good, because I am really trying to set up something strong here. I don’t know how a banana and a moon can look good together, but make do with it. Continuing on. Bearded Salami, which is his username, goes on to AbsoluteWrite and inquires about this new press. Users say it looks legitimate but tells him to wait to see how it does.

Another person, Freezing Doormat, comes in to say she’s been accepted, but wants to get the green light on the contract. The green light is given, but the AW people still warn her to wait, but she wants to go with BMP anyway. This is where things start to take a turn for the worst, and I am going to try to write this in the best way I possibly can based on a combination of ACTUAL stories that have happened, but using my made-up press. Freezing Doormat’s manuscript has been published and is out in the world. However, the e-book is 99 cents, and the print book is 25 dollars. These are net royalties, which many small presses do, because if they were to go with gross royalties, neither party would be making that much money. So let’s say the split is 50/50, and these books are up on all book-distributing sites.

Yeah, this is so much better than Banana Moon Press. No one will suspect a thing.
Yeah, this is so much better than Banana Moon Press. No one will suspect a thing.

The print book is selling nothing because of its Publish America high price. Freezing Doormat e-mails her publisher about changing the prices, as a clause in her contract stated both publisher and writer would agree on a set price. She never hears back about the price change. The publisher suddenly folds in the month it opened, and Freezing Doormat’s book goes out of print. She asks for the copyright back, but BMP is charging her an exorbitant amount of money for her to get it back since BMP is non-profit, and they want the money back they spent to make the book. She tries to sue, but nothing gets done, because BMP has more power than her, and she can’t afford a lawyer.

BMP press then opens up under a new name called Bite My Apple Press. Freezing Doormat looks up her book and suddenly discovers it has been published under Bite My Apple Press, and when she looks up BMA, she realizes that BMP has opened up another name, but it is essentially the same press. However, the new owner is Brenda, who is secretly me. Instead of my pic, there is a photo stock pic of another woman. The rest of the staff’s names have been changed as well, and they also have photo stock images, unbeknownst to Freezing Doormat. Freezing Doormat looks at the books published, and they are new ones with new authors with complete profiles and everything. However, when Freezing Doormat looks at the books, she finds the books are still 99 cents, but the print books are now 6 dollars. Freezing Doormat has no idea what’s going on, so she retreats to AW to report her experience, creating a new thread called Bite My Apple, formerly Banana Moon Press.

Freezing Doormat reports everything that has gone on, and all the authors, Eat My Chair, Slap My Cat, and Ditch That Dress, begin to delve into Bite My Apple. The e-books are in fact short stories (about 40 pages), and the books are anthologies, so no one is really making any money. They also discover that they can’t look inside the books to discover whether or not any editing has been done (the covers are awful, by the way). Ever more suspicious, the authors delve even deeper, CIA style, and find out that the author images are stock images, but the bios are ridiculously legitimate; however, there are typos on the website and the site’s blog, and even in the contract.

The authors continuously talk about Bite My Apple, and as I am looking up my press to see what people are saying about it, I discover this thread. As I’m reading through, I become extremely irate and tell everyone that Freezing Doormat is lying, that she did get her copyright back, and that she wanted to re-publish under BMA. Freezing Doormat is denying all accusations, so the thread is shut down, because I start throwing cuss words in all directions, trying to convince everyone that Freezing Doormat is lying, all my authors are legitimate, and all their books are real.

Freezing Doormat finds this wonderful little site called Whitman’s Stories, a blog dedicated to unearthing lies amongst the publishing world, and reports her story to the owner of this blog. So the owner simply writes a blog post on what Freezing Doormat has said. I find the story, and I start commenting that Freezing Doormat is a liar. All of my authors come in and back me up, saying that Freezing Doormat is an idiot, that they have had nothing but wonderful experiences with me. Then my staff comes in and starts backing me up. The entire thread turns into a crap storm of BMA supporters, drowning out the voice of Freezing Doormat and the owner, who is simply saying she reported what Freezing Doormat said. The owner eventually shuts the comments off.

Whitman then writes another blog post, exposing Bite My Apple for what it really is. She delved into the comments and discovered that all the supporters and staff of BMA had the same IP addresses, leading to the conclusion that I, Brenda, was taking on many guises to support my company. Freezing Doormat reports this back to AW, and I start slinging cuss words again, crying that I’m going to sue everyone and sick my lawyers on people who slander me because all of what they report is not true. I then say my staff and authors are VERY close, so anyone within a certain area can have the same IP address. No one’s buying it, of course. However, I still continue on with the press and still bring on “authors” (and I can’t even tell if the press’s authors that I’m basing my press off are real).

  • Unfortunately, everything can look legitimate in a house, but then stuff outside of the contract begins to happen, and authors become very helpless in situations like this. Unless they have dollars and can afford lawyers, there is almost nothing they can do about situations like the one I created above. So my only advice to you is that even if the contract looks legitimate, seek out transparency. Talk with the publisher about the contract, even if it’s nice and pretty. Meet all staff members. Get to know the authors, look up their books, and read sample pages to see if the editing is solid (and covers, too). Look up the publisher on AbsoluteWrite and see how the publisher is responding to the feedback being given about the house. If the publisher is being polite and respectful and considering all criticism, then you know this will be a publisher who has no qualms about transparency, and will not screw you over in terms of copyright, royalties, and everything that was stated in the contract.


Now, let’s assume BMA’s contract has changed. Here’s just a quick list of what to look out for in contract clauses. I’ve written about this before, but it begs repeating in the hopes that newbie writers find a post like this, and will not fall prey to presses like Bite My Apple or Banana Moon Press.

  1. No-compete clauses. This means you can’t self-publish another book. This also means you can’t publish with any other house with a book that is similar to the book that house is publishing. This is very vague in itself, because that publisher doesn’t want your book competing with another of your books some other house is publishing.
  2. If there is a print book, make sure the contract offers a certain amount of free copies as giveaway items to receive good exposure, especially on Goodreads. If not, either back away from the contract, or try to negotiate. Also make sure you get a discount should you decide to get more books for whatever. The distributor usually offers a discount, and sometimes the publisher will split the cost, 50/50, to give you an even better deal.
  3. Marketing. The publisher should be doing this, along with your efforts. If you are okay that they are not able to fully market your book due to cost, you need to be prepared on how you’re going to do it yourself. Some people are okay with this because they’re market savvy, but can’t afford to self-publish.
  4. Royalties. Make sure these are good, especially on net profit. I wouldn’t go with anything less than 50%. There is actually a good article here on net profits for those skeptical about them. Apparently net profits raise red flags, but I can tell you from my experience, I WANT net profits from a small press.
  5. The promise of editing on a partnership basis. Sometimes presses will take on authors and contract their self-published books. They don’t even bother to read the books, because they have good reviews, and publish those books immediately, and the author gets less for their books than what they would have gotten self-published. The press takes a slice, even though the press did no work whatsoever on that book. If a press published it immediately, then there was no editing on their part done, and no marketing done to ensure your book does better than it did self-published. Usually, the book does worse. Look for the money you’re making from the sales, not necessarily the number of sales themselves. Even if you self-published the book, even if you had it professionally edited and decide to send that book off to a small press, that small press has an obligation to read your work to make sure whether or not it needs to be edited–in many cases, it does, because all editors have different tastes.
  6. Also, this is not a contract thing, but beware of indie houses that publish too many books in a month. This means they are spending little time editing the book, little time marketing it, and little time interacting with you. This also means that if you are accepted by that company, your book could be published within a month. You don’t want that.

I can’t think of any other clauses to look out for, but you can look these up yourself. Don’t fully trust AW, because they’ll tell you net profits raise red flags, among a few other things that raise red flags that really don’t. Again, in my last post, you can’t compare a traditional contract with an indie contract. Still, AW is a useful resource, and as long as the owner of the small press is behaving respectfully, don’t fear signing on with that press. There are going to be blips and bumps in the inception of a new press, but hopefully your first books published with them will become a strong backlist.

Overall, I hope you will never submit to Bite My Apple, formally known as Banana Moon Press. Hopefully I’ve touched on a lot of things, especially behaviors to look out for in the staff of a publishing company, big or small. Make sure you do your research, know your rights, and make sure your press is treating you and your book with the respect it deserves.

Next article, I’m going to finally talk about why it’ll probably take longer for the third book to come out than the second book in The Stars Trilogy.

Marketing After a Book’s Release

Marketing After a Book’s Release

Preface: I just want to give all of you a bipolar update, basically. It seems my mood has stabilized, and there is a summer going on in my head. I will admit that yesterday I was manic, but I believe I induced that mania by eating too many espresso candy beans, so I’ll have to be wiser about caffeine in the future; however, it wasn’t dangerous mania. It was more of the go-go-go type of mania, where slowing down just annoyed me, and I just wanted to listen to loud music, talk all the time, move constantly, and act, well, like a teen on meth, basically. But, for once, I did not crash from this mania. I generally crash into depression, but I just slowly wound down, got tired–for once, not irritable–and just went to bed knowing I was no longer manic but feeling like I could wake up early and not sleep in. And I did wake up early: 8:30. I could have woken up earlier, but I’ll probably have to cut down my sleep meds, as I had to raise them because depression makes it difficult to sleep, even with meds. I think the higher dosage also makes me dream tons load, but I was actually dreaming good dreams last night, instead of nightmares. I am so getting off topic, but one of my dreams was about this ensuing flood that was coming, and the water level kept rising, but, for some reason, I felt so heroic throughout the whole dream because I was the one leading everybody to higher ground. In any case, without further ado, here is my post about marketing…finally.

marketing-mix-four-ps I thought this would be a cute graphic to start off with.

I consider myself a very marketing-minded person. I realize that marketing books is an enormous passion of mine. I love it. It’s fun. My publisher can do marketing and take care of the business aspect of things, too, and I can do marketing myself because When Stars Die is my baby, so why wouldn’t I be happy to market it?

In any case, let’s start with those four words over there. My publisher took care of basically all four of these, but especially price and place. He set the price of my book based on what he believed to be a competitive price, and people don’t seem to mind this price because, again, the book is out of stock. He also chose the places this book would start at, such as Amazon and Barnes and Noble–online. But he also chose his wife’s store to put AEC’s books in. He is also encouraging me to go to The Book Tavern downtown to establish a relationship with the business owner so he isn’t making a cold call about getting my book in stores. There are also some other things about place, but those are a surprise and a work-in-progress.

I mainly provided the product, but my publisher also helped to whip that product into shape. A product’s quality is the NUMBER ONE thing when it comes to marketing, and without my publisher, the quality of my product wouldn’t exist. If you have a crap product, no amount of publicity is going to help that thing. He also helped with promotion, through press releases, encouraging of ARCs, social media, an anthology, among a few other things. But for the promotion, I just took off from there like a steam train because it’s my book, I love it, I love my fans, and I want to be out there, out there, out there. I am proud of my book, and so of course I’m going to parade it around like it’s my kid who just won a Nobel prize for discovering magnematter (a total hint at Raymond Vogel’s ‘Matter of Resistance.’ Seriously, people, get the book).

First off, marketing a book is not like marketing Coke (not the drug, you gutter rat). When you see an ad for Coke on television, you aren’t going to immediately go out and buy a Coke. However, if you see the ad enough times, your brain subconsciously picks up the messages within the advertisement. Your brain registers how great Coke is, what it can do for you, this for you, that for you, ect., so the next time you go to the store and want a drink, you’re more apt to pick up a Coke. Now we all have our drink favorites. I prefer Sprite myself, but if there is Coke in my fridge and no other drink, I will drink that Coke, and I’ll eventually find myself wanting another Coke. For example, I bought some berry vodka a few weeks ago (I don’t think I’ll ever be drinking alcohol again. I think even a little alcohol will sink me into a depression), and I bought Coke for it because I REALLY wanted Coke after having drank it so much from it being in my parents’ fridge. So, essentially, because Coke is primarily in my parents’ fridge, that fridge is basically advertising Coke to me constantly, which sounds silly, but the more you see something, the more apt you are to buy it because you’ve heard so much about it. So even though ads have become white noise to us now, our brains are still picking up on these ads, and whatever ones our brains remember the most, those ads are likely going to be the products we buy. We may think we buy something simply because we’ve been perusing the shelves and have seen it, but most of us have likely seen it in an ad first. I know my favorite clothing line, Princess Vera Wang, is at Kohls’ stores, but I first saw it in a magazine and thought the clothes were cute. So it’s now my favorite clothing brand.

Unfortunately, advertising books is not like advertising Coke. For one, you don’t see ads of books on televisions or billboards, unless you’re James Patterson. You may see them on Google, Amazon, Barnes and Noble, or Goodreads, but you’re likely to not even click on them. They’re just white noise to you. So why are ads still being used? Many try to use ads for branding, trying to treat it like Coke, but since these ads are primarily online, no one is going to click on them. Perhaps 1 out of every 100 or 1000 will do it, but those ads are VERY avoidable. Apparently Google ads will work, if you know how to use them, but for those of us who can’t pay for someone to teach us how to use them, we can think of more creative, fun ways to create exposure. We as people don’t like ads. We hate them on our Youtube videos, so we skip those. If we can skip an ad, we will. However, it is primarily the big books that get the ads, so advertisements probably work for those books because they remind people that this popular author’s book is coming out, but ads won’t work for someone who has just started out, like me, so I have to think of other ways to promote myself. Books are not like advertising Coke because, for one, reading is down, competing with other popular forms of media, and people are mainly buying books now through word-of-mouth, or for books that are similar to the previous books they’ve just read.


So what did I do to advertise my book before and after its launch? I set up a cover reveal with Lady Amber, did a bunch of interviews, sent out ARCs, and my publisher sent out some press releases before the book. Now the marketing for the sequel of the second book is going to be MUCH stronger before the launch, but this post will primarily concentrate on what I did on the launch date and after.

So on the launch date, as you know, I bought a blitz from Juniper Grove. This created enormous exposure for my book, and, really, as a first time author with a first book out, you want exposure, exposure, exposure, so that way you can build yourself up like Coke. My publisher also sent out a press release that received enormous attention. There was also a basic press release from YA Interrobang, where my book was with the likes of Veronica Roth’s, Allegiant–so, in that way, I was very lucky. I also won a free three-hour launch party, so I was also lucky, but I won’t have to worry about finding launch parties in the future. So all of this happening on my launch day just skyrocketed exposure to ungodly degrees that I can’t even tell you how many people must know about my book–or, at least, remember it.

But, after the launch date, I also bought a blitz from YA Bound, which still kept the exposure going. It also helps that I have an e-ARC with them for a month, so the adds have been continuing on Goodreads, even though they have been small–however, I have near to 500 adds, and I expect this number to REALLY rise once the e-book is out. What helps exposure even more is having only ONE print book to give away on Goodreads. You should only ever have one on Goodreads so you can use the rest of your print books for more exposure elsewhere. I gave away two print books during my launch party, one will be given away on a blog with good exposure, and another one will be given away during a radio interview I have in December–so, exposure, exposure, exposure. I also have a lot of interviews and guest posts happening during this month, and hopefully I’ll have a radio interview at the end of this month, if things go according to plan. I am also going to go to my local bookstore downtown and talk to the owner about getting my book in that store, and I will then refer him to my publisher. Also, I know When Stars Die was bought at my publisher’s wife’s bookstore, and the person who bought it loves it, and my publisher told me she just couldn’t stop gushing about it, so that really helps.

Another thing I’m doing to keep this exposure going is library visits and school visits. They are not set up yet, but a creative writing teacher at a high school where I live does want me to visit her creative writing class. Another teacher who I knew in my high school also wants to set me up for his economics class (about branding and all that, especially as it relates to my book), and two other English classes. He also wants to refer me to other high schools in the area. My publisher will be giving me materials to help me out with these things. And I should be having a book signing whenever, a radio interview in January, a big read-long on Goodreads in January, among a myriad of other things I’m going to continue to do to keep my book out there and continually increase exposure. And if all goes well, things for me are only going to keep increasing from here. I know it’s a lot on me, but it’s the job of an author, too, to keep marketing. Even if you’re with a big press, you need to also keep marketing your book thereafter. It is YOUR book, after all, so why wouldn’t you want to do everything possible to get it out there? It’s silly to just stagnate.

One last word: Spamming your book will not work. I see lots of others do this on Twitter and elsewhere. Also, I have noticed Facebook author groups where advertising is encouraged do not work. I don’t think they will ever work, so don’t even try. You need to be a lot more creative in getting your book out there. Hopefully I’ll eventually attend conferences and all that, as I know that will help, too.

Do you guys have any questions for me? Also, for readers, what has made you buy a book? 

Put When Stars Die in the Top Ten

Put When Stars Die in the Top Ten

WhenStarsDie-3-1As I said at the end of my NaNo post yesterday, today’s post is extremely short. I simply want you guys to vote for When Stars Die in what I believe is a cover art contest. Being put in the top ten will earn me something awesome, and I would very much like that something awesome. So click on When Stars Die to be taken to the poll, find the book, and vote for it! Thank you so much, Stars!

 Tomorrow’s post will be about my sudden, intense interest in the marketing and launching of a book, so this will be a very new thing for me. 

The Anonymous World of Tumblr: What “Makes” an Author

The Anonymous World of Tumblr: What “Makes” an Author

After the press release from YA Interrobang, I received a rather, well, insulting anon on Tumblr who basically told me I was cheating myself by going with a small press–and a new one at that. I will admit upfront that I did take a chance knowing they were new. Oftentimes experts will tell you to wait a year or two to see how the press does before submitting to it, but there were so many factors involved in my decision to submit to them that it would take too long to list them all, but one factor was that I was tired of holding my book back, not submitting it because I was afraid it wasn’t ready enough, and I just wanted to take a chance. I was at that point in my life where I realized I needed to take chances, and I was very happy that I did. 

In any case, not only did they insult AEC Stellar Publishing, Inc. and call them a vanity press because you don’t receive advances (but the royalties we receive can more than make up for the advances), but they insulted me by saying ‘you SEEM like you want to be an author, so why did you cheat yourself?’

Apparently I’m not an author, even though I have a book published with good reviews (only 23, I think, but still, that’s good enough, and they’ll keep growing, I know), with a publishing house that is a small press and not a vanity publisher, a book with a beautiful cover, a book that received great editing, and a book that received amazing exposure, a lot from me, but my publishing house is so flexible that they were/are willing to listen to advice to make them better, even though I think they’re great already because they produce great books in the first place. Plus, I do need to speak up more about what I want. And even though they don’t offer advances, that doesn’t mean they aren’t a legitimate house.

Some authors will tell you that you deserve an advance and shouldn’t settle for less, but if the house offers great royalties, I say, go for it. It doesn’t make them less legitimate than a house that does offer advances, but pitiful royalties. I even had this discussion with indie authors on Twitter. Some houses have you pay for a few things for your book, but the money DOESN’T GO TO THEM. IT GOES TO THE PEOPLE WHO PROVIDED THE SERVICES. And these indie authors agreed that that was still a legitimate house.Doesn’t mean your royalties will make up for the average advance (which, on average, can be anywhere from 500-1000), but I care more about readers reading my book, and even at a big house, the average book only sells 500 copies. Ever. 

I’m tired of this attitude that you’re not an author if you go with a vanity publisher or self-publish. You are an author, ESPECIALLY if you took the time to make your book into a product that deserves sales. I would never ever recommend a vanity publisher, as you can do it much cheaper yourself, but if you can find a good, honest vanity publisher, know what you’re getting into, know the ins-and-outs of publishing from an author’s perspective, then I will not judge you for choosing this path. You are an author, regardless. A published book means you are an author.

***Repeat after me: A published book means you are an author.***

A published anything means you are an author. Ky Grabowski has a short story published, but she is still an author, even if it’s just one thing. I have been an author since I was in high school, although, admittedly, I didn’t feel like a real author until When Stars Die was published, but, you know, that’s my own personal insecurity that I eventually got over. 

Overall, I did not cheat myself. I don’t feel like I cheated myself. Does this mean I won’t consider an agent in the future? No. I MIGHT, but I will still publish with AEC Stellar. You cannot tell me I cheated myself when you have no idea what the process was like for me, and that you have no idea what was in my contract, which I am not allowed to speak of. 


My next post is going to be an interview that Mariah Wilson did of Writers AMuse Me Publishing, as they are now accepting playwrights. 

When Stars Die Launch Review and October/November/December Tour

When Stars Die Launch Review and October/November/December Tour

So the exposure for When Stars Die has been absolutely insane, proving that I have had a successful launch. I don’t know what my ranking is on Amazon right now, but that is something no author should concern him/herself with. I did everything I could for exposure, and so did AEC, and that’s that. All I can do is keep writing from here, and that’s it. Plus, I am almost done with the sequel to When Stars Die, The Stars Are Infinite. So here is the launch day in review.

See how many people the press release alone has reached? And the last time my publisher told me about the reach stats, it had reached up to over 13,000. That’s tons of exposure right there, and that’s not even including the fact that a few people put the press release on their blogs. Now exposure doesn’t translate to sales, but I am primarily seeking exposure right now, especially because I do expect the e-book launch to be very successful.

Then there was the launch party I won from Lady Amber. Here is a FB pic from that:

Screenshot (23)

If you can see it, 182 people came. That doesn’t sound like a lot, considering over 1,000 people were invited, but this launch party was hugely successful because I was busy the entire three hours. There were hardly any lulls where I wasn’t interacting with all the people that came. So I made a lot of fans and received a lot of Goodread adds and Amazon Wishlist adds. One of the stipulations to winning a print book was to share a press release I created of my book and AEC Stellar’s anthology. A lot of people shared this. I do recommend Lady Amber for launch parties, but in the future, I MIGHT be doing the launch parties myself, along with the PR people from AEC Stellar Publishing, Inc.

The next thing that happened was a book blitz from Juniper Grove Book Solutions. I HIGHLY recommend them, as I received a lot of amazing exposure from them. There were over 1,000 entries for the e-ARC of When Stars Die. Over 1,000. Imagine if I gave away a Kindle or something. I will be using them for the book blitz for the e-book, as well as Lady Amber, and perhaps another tour site. So here is the banner from that.

I also have another book blitz going on by YA Bound. I will post a review that mainly reviews the overall exposure I received from it, as I use these blitzes primarily for that.


I also have a super awesome pic a customer took of my book when she bought it from my publisher’s wife’s boutique, Fluente Designs. She also updated me to tell me that she loves the book so far.


And another super cool that that happened that gave me a lot of exposure was that I appeared on YA Interrobang as one of the book’s launching this past week—along with freaking Veronica Roth’s book, Allegiant. Here is a pic of that, courtesy of Tumblr.
Screenshot (24)

My Facebook page also went from 540 something to 967, and my Twitter page went from 1100 something to 1,360. My Goodreads adds, too, went from 150 to 358 (I think. That’s just an estimate. Goodreads is slow to update), and over 280 people have entered for a signed, print book of When Stars Die, and it hasn’t even been a month yet, which is how long I’m keeping the giveaway open. AEC Stellar Publishing, Inc. also has some surprises planned within the coming months, but I have to keep those hush-hush.

AEC Stellar Publishing, Inc. also released an anthology called 2013: A Stellar Collection. While it can be downloaded for free on Smashdowords. I HIGHLY recommend you buy it, as all proceeds go toward marketing, which essentially means the money is flowing toward us.

My short story included in this is titled ‘I Am the Bell Jar.’ It is about two mentally ill teens trying to make a disastrous relationship work, only for it to end up in tragedy.


Another thing AEC Stellar Publishing, Inc. has released a short story by author, Ryan Attard, whose book, Firstborn, will be released in December. I highly recommend it. The voice is very strong, as is the story, and will make you excited about his upcoming book.


So here is my book tour schedule. Some of them have happened already, but I’m going to list them anyway, simply because I haven’t shown them yet due to the sheer volume of interviews and guest posts I’ve been doing. I’m also supposed to receive more interviews and have ANOTHER one to do. There are also some interviews I’ve done that I have not received responses for yet, but I’m going to keep bothering those people until I have a response.

Jacinda Buchmann TBA

The Hive Book Reviews NOW

Booker Like a Hooker-Guest Post on When Stars Die and AEC Stellar TBA

Cover Contest  Nov. 2

Greg Lamb Interview TBA

Pau’s Moving Castle Nov. 3

Jessica Haight Nov. 17th

Young Adult Book Addict Dec. 14th

Sorin Suciu Nov. 15th

Laurie’s Paranormal Thoughts and Reviews Signed, print giveaway Nov. 12th

The Book Pound Nov. 1st

We Do Write Nov. 4th

4cover2overt NOW

The Corner Club Press Paranormal Issue– Nov. 20th

Whimsically Yours Nov. 2nd

Falling for YA NOW

Bookaholic-ness  Guest Post on The Inception of When Stars Die NOW

Read Your Writes NOW

The Bookshelf Sophisticate Guest Blog Post on The Stars Are Infinite NOW (Scroll Down)

The Flores Factor Nov. 1st

YA Unscene Delete Scene from When Stars Die  NOW

Mich Bookshelf  NOW

Beauty and the Bookshelf NOW

Moonlight Gleams Bookshelf Guest Post on Inspiration for When Stars Die TBA

Carol Ann Kauffman NOW

Cocktails and Books Oct. 30th

Book Bliss  Nov. 2nd

I am going to get on a blogging schedule from now on that will include updates on AEC Stellar Publishing, Inc., my book, any thoughts on publishing and writing, and personal posts from me.

Tomorrow’s post will be about how, even during my launch week, depression has been trying to drag me down and what it has been doing to my thoughts regarding my book–among everything else.

Last, here are links to giveaways you can enter to win some AEC Stellar e-ARCs.