Shannon Thompson’s ‘Minutes Before Sunset’ is a story of Eric Wellborn, a shade destined to win a harrowing battle for the survival of his kind. However, when he meets an abandoned shade who possesses more power than he thought possible, he questions everything he thought he knew.
Then there is Jessica Taylor, who moves to Hayworth and longs to find her adoptive parents. Of course, she must maintain good grades, and Eric Wellborn doesn’t help her cause with his indifference. But she is determined to crack Eric’s cocky exterior, even if that means revealing what she’s trying to hide.
Keep in mind there are two point-of-views in this novel: Eric’s and Jessica’s. Both are equally intriguing, and, if you’re observant, you’ll figure out early on the significance of both POVs, which will leave you dying to keep turning the page. I finished the novel within two days and would have finished sooner, but I have little time for reading anymore, so it’s great that I finished this book as soon as I did. It’s been a while since I’ve read such a book that made me want to keep turning the pages.
At first, the plot seems simplistic: Eric is destined to win a war outlined in a prophecy in order to save his kind. Prophecies in themselves aren’t original, but what’s fascinating is that Ms. Thompson writes Eric in such a way that makes readers question how he can win such a war when he himself does not seem strong. What is even more fascinating is that there is more to the prophecy than even Eric, a first descendant (take this to mean someone important, powerful), is allowed to know. His character development is sharp too. He goes from being a cocky, indifferent boy, to someone who shows what he has been hiding all along. He makes sacrifices, even at the cost of his own life.
Then there is Jessica’s POV. Hers is a fascinating one because as a reader, you might question why her POV exists at all. But if you’re observant, you’ll quickly realize the connection between her chapter’s and Eric’s, and, as I’ve stated above, you’ll want to keep reading just to see how things play out. It’s one of those ‘reader knows, but character doesn’t’ kind of things, and those can be fun.
What I most enjoyed about the book were the descriptions, especially of the shades. Ms. Thompson did a stellar job of describing the shades and their powers. I could imagine shadows dripping, light sparkling and exploding, traces of light and shadows fanning out in iridescent strands; shadows pluming; and light bursting. The entire book is a chiaroscuro, and it is so easy to imagine the world of the shades. Eyes, especially, are an enormous motif in this book because shade eye colors differ from human eye colors: They can be a brilliant, almost unnatural blue, or a purple color. They are the windows to people who are otherwise trapped within themselves.
Overall, I give this book a 4.5 out of 5, just because some of the descriptions were repeated more than they should have been, like eye or hair color. Fans of paranormal or paranormal romance in general will enjoy this book. You can buy it on Amazon and Smashwords. You can also find Shannon Thompson here.
In issue 10 of The Corner Club Press, I will delve deeper into Mrs. Thompson’s book through a literary analysis, especially over how dark and light interweave to create a chiaroscuro art piece.
As a writer, I do know how to separate my writer’s side from my reader’s side. I mean, I will analyze the book and how it goes about telling the story, but I don’t let myself get hung up on the little stuff because the average reader doesn’t care, so why should I? In my own writing I get hung up on the little stuff, but I feel like we writers get so hung up on the little stuff that I often wonder why that is. Is it because it’s been pounded into our heads to obsess over the little stuff, or are we trying to appease the experts, wanting them to say we’re great writers because passive voice is nonexistent in our books (or something else readers really don’t care about)?
I’m here to say your average reader doesn’t care about that one time you used passive voice. Or even the five other times. They’re only going to start caring when it becomes obvious you’ve used it too much. You might have your reader who is also a writer or a reader who is a grammar Nazi, but I’ve never respected the latter and the former is probably why we obsess so much over the small stuff.
Readers also don’t care about ‘said bookisms’ or adverbs as much as we think they do. They only care if it’s used too much. But if you have one instance where you use an adverb instead of a stronger verb, your reader isn’t going to care. Only you will. And perhaps your editor. I just got back into AbsoluteWrite, and it kind of reminded me why I stopped: Because these writers are downright snobs, so obsessed with pounding out every grammatical detail that we forget the story is so much more important. It’s probably why I retreated to YALITCHAT, because we’re more concerned with the story and the reader than we are with the small stuff. If you’re on AbsoluteWrite, don’t take my above statement to mean you. It’s just my general experience. I feel like you can’t mention that you got published without some of these users scrutinizing you and the company who accepted you. That hasn’t happened to me, but I’ve seen it.
I feel like many writers don’t look at their manuscripts with readers in mind. I feel like they think about the writers who are readers when going through and polishing everything. “Will this reader get on to me about this adverbs, or this passive voice, or this split infinitive (which, by the way, has no strong basis for why it can be used)?” We forget that when we go through, we have to think about the pure reader. The reader who only wants a good story, not a book that showcases examples of flawless grammar.
Does this mean we should eschew some of the small stuff? No way! That would be an insult to our readers. It’s like ballet dancers eschewing their technique because the average audience knows nothing on ballet. They might not care if you bend your knee on a pirouette, but we know a straightened knee is far more beautiful, and we want to give that type if beauty to audience members who shelled out a fortune on the tickets. You want to give your audience the best performance possible, and the best performance does include a highly-polished manuscript. But don’t be upset if you find you missed a piece of passive voice you meant to be active. Or that you even found a typo. The fact is, if the errors aren’t too much, your average reader will look at the story and nothing more–unless they are writers who are readers. These guys will tear apart self-published books for little reason other than being petty and trying to prove why the stigma exists. But they are not true reviewers in my mind.